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Vous avez sélectionné:
Paul Struck
Partitions à imprimer
19 partitions trouvées
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1
Stille Nacht
Stille Nacht
Horn,Organ,String Quartet
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Classique
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Paul Struck
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Stille Nacht
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Paul Struck
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SheetMusicPlus
Composed by Paul Struck. Sacred, Christian, Contemporary Christian, Christmas, Romantic Period. Set of Parts, Score. 29 pages. Published by Paul Struck (S0.1071...
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Composed by Paul Struck. Sacred, Christian, Contemporary Christian, Christmas, Romantic Period. Set of Parts, Score. 29 pages. Published by Paul Struck (S0.10719). - Set of Parts,Score - Sacred,Christian,Contemporary Christian,Christmas,Romantic Period - Paul Struck
$35.00 ≈
$47.04
Wachet auf
Wachet auf
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Orgue, Trompette (duo)
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INTERMÉDIAIRE
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Christian contemporain
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Musique Sacrée
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Paul Struck
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Wachet auf
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Paul Struck
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SheetMusicPlus
Small Ensemble Bassoon,Horn,Organ,Trumpet - Level 3 - SKU: A0.987139 Composed by Paul Struck. Christian,Contemporary,Easter,Sacred. Score and parts. 26 ...
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Small Ensemble Bassoon,Horn,Organ,Trumpet - Level 3 - SKU: A0.987139 Composed by Paul Struck. Christian,Contemporary,Easter,Sacred. Score and parts. 26 pages. Paul Struck #2015215. Published by Paul Struck (A0.987139). This score is variation after choral melody Wachet auf, ruft uns die Stimme. Duration 5 min.36 sec. For Trumpet, Horn in F, Bassoon and Organ. It's playable for church or concert.
$45.00 ≈
$60.48
Gloria
Gloria
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Paul Struck
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Gloria
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Paul Struck
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.987140 Composed by Paul Struck. Christian,Christmas,Sacred,World. Score and parts. 1 pages. Paul Struc...
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String Quartet String Quartet - Level 3 - SKU: A0.987140 Composed by Paul Struck. Christian,Christmas,Sacred,World. Score and parts. 1 pages. Paul Struck #431255. Published by Paul Struck (A0.987140). Gloria is 4 parts sacred score for Soprano solo, Horn in F. String quartet and organ. Duration is about 10 minutes. It's a solemn, light composition you can use during God serving or in concert. Horn in F part is more advanced and require a skilled soloist. Factly 1-st and 4-th parts are equal. Text is in canonical Latin language.
$55.00 ≈
$73.92
Concerto for Clarinet and String Orchestra
Concerto for Clarinet and String Orchestra
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Clarinette, Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Paul Struck
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Concerto for Clarinet and Stri
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Paul Struck
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SheetMusicPlus
By Paul Struck. For Clarinet, Orchestra. Movies/TV, 20th Century, 21st Century. Advanced Intermediate. Set of Parts, Score. Published by Paul Struck ...
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By Paul Struck. For Clarinet, Orchestra. Movies/TV, 20th Century, 21st Century. Advanced Intermediate. Set of Parts, Score. Published by Paul Struck
$135.00 ≈
$181.43
Ave verum corpus for soprano,string quartet and organ
Ave verum corpus for soprano,string quartet and organ
Voice,string quartet,organ
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Paul Struck
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Ave verum corpus for soprano,s
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Paul Struck
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SheetMusicPlus
By Paul Struck. For Voice,string quartet,organ. Sacred, Christian, Contemporary Christian, Rock. Intermediate. Set of Parts, Score. Published by Paul Struck ...
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By Paul Struck. For Voice,string quartet,organ. Sacred, Christian, Contemporary Christian, Rock. Intermediate. Set of Parts, Score. Published by Paul Struck
$45.00 ≈
$60.48
2 Ping
2 Ping
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Piano seul
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Paul Burnell
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2 Ping
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Paul Burnell
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SheetMusicPlus
Piano Solo - SKU: A0.835730 Composed by Paul Burnell. Concert,Contemporary. Score. 5 pages. Paul Burnell #59641. Published by Paul Burnell (A0.835730). ...
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Piano Solo - SKU: A0.835730 Composed by Paul Burnell. Concert,Contemporary. Score. 5 pages. Paul Burnell #59641. Published by Paul Burnell (A0.835730). 2 Ping was composed in 2012. It has a duration of between four and five minutes. It may be performed with an optional drone, and/or with optional performers playing domestic bowls made of stainless steel, porcelain etc. Programme note: The title '2 Ping' refers to the sound of the piano, or to the sound of domestic bowls being struck. Porcelain bowls are sometimes struck gently with a fingernail to gauge their quality - a 'ping test'. The title also refers obliquely to Samuel Beckett's 1967 short story 'Ping'.
$1.99 ≈
$2.67
Baseball Brains. A Musical Novelty by the Bat and the Ball as Overheard on the Diamond
Baseball Brains. A Musical Novelty by the Bat and the Ball as Overheard on the Diamond
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Piano, Voix
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the players bench there lay, o
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W
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Baseball Brains. A Musical Nov
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.14978 Composed by W.D. Paulson. Stages (platforms), Cartoons, Sports, Contests, Courtship & love. Lester S. Levy Collection. 4...
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Piano and voice - SKU: LV.14978 Composed by W.D. Paulson. Stages (platforms), Cartoons, Sports, Contests, Courtship & love. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.14978). Baseball Brains. A Musical Novelty by the Bat and the Ball as Overheard on the Diamond. Lyrics Struck by R.D. Heinbockel. Melody Pitched by W.D. Paulson. Published 1909 by Victor Kremer Co. in Chicago. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Stages (platforms), Cartoons, Sports, Contests, Courtship & love. First line reads By the players bench there lay, on a diamond one fine day, a baseball in gown of white.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
$8.05
The Sense of a Place Will Remain
The Sense of a Place Will Remain
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Chorale SATB
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Contemporain
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Paul Burnell
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The Sense of a Place Will Rema
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Paul Burnell
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835...
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Choral Choir (SATB) - SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King. Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes. Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Mem’ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.
$7.95 ≈
$10.68
First Baseball Game
First Baseball Game
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Chorale 3 parties
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FACILE
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Musique Sacrée
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Don Raye and Gene De Paul
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Laurie Carter-Elliott
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First Baseball Game
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Laurie Carter-Elliott Lucky Life Publishing
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SheetMusicPlus
Choral Choir (SAB) - Level 2 - SKU: A0.1279975 Composed by Don Raye and Gene De Paul. Arranged by Laurie Carter-Elliott. Christian,Comedy,Jazz,Praise & ...
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Choral Choir (SAB) - Level 2 - SKU: A0.1279975 Composed by Don Raye and Gene De Paul. Arranged by Laurie Carter-Elliott. Christian,Comedy,Jazz,Praise & Worship. Octavo. 8 pages. Laurie Carter-Elliott Lucky Life Publishing #871381. Published by Laurie Carter-Elliott Lucky Life Publishing (A0.1279975). The First Baseball Game: In the big inning - A jazz tune that starts off with a slower introduction and then goes into a swinging style, with verses taken from the bible and turned into many puns such as: Rebecca went to the well with the pitcher, Goliath was struck out by David, the prodigal son made a great home run, Jonah whaled and went down swingin', and many more! Written in 1948 by Gene De Paul and Don Raye.
$1.99 ≈
$2.67
Trois pièces : Andante, Sérénade et Chant Serbe
Trois pièces : Andante, Sérénade et Chant Serbe
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Paul Wehage
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Trois pièces : Andante,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1493034 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Scor...
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Piano,Viola - Level 4 - SKU: A0.1493034 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 33 pages. Musik Fabrik Music Publishing #1069724. Published by Musik Fabrik Music Publishing (A0.1493034). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95 ≈
$25.47
Trois pièces : Andante, Sérénade et Chant Serbe
Trois pièces : Andante, Sérénade et Chant Serbe
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Paul Wehage (édition)
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Trois pièces : Andante,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.1493033 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). 19th Century,Chamber,Classical,Romantic P...
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Cello,Piano - Level 4 - SKU: A0.1493033 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). 19th Century,Chamber,Classical,Romantic Period. Score and part. 33 pages. Musik Fabrik Music Publishing #1069723. Published by Musik Fabrik Music Publishing (A0.1493033). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95 ≈
$25.47
Trois pièces : Andante, Sérénade et Chant Serbe
Trois pièces : Andante, Sérénade et Chant Serbe
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Paul Wehage
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Trois pièces : Andante,
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Musik Fabrik Music Publishing
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.1493039 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Perio...
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English Horn,Piano - Level 4 - SKU: A0.1493039 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 34 pages. Musik Fabrik Music Publishing #1069729. Published by Musik Fabrik Music Publishing (A0.1493039). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95 ≈
$25.47
Trois pièces : Andante, Sérénade et Chant Serbe
Trois pièces : Andante, Sérénade et Chant Serbe
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Paul Wehage
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Trois pièces : Andante,
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Musik Fabrik Music Publishing
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 4 - SKU: A0.1493036 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Pe...
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B-Flat Clarinet,Piano - Level 4 - SKU: A0.1493036 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 36 pages. Musik Fabrik Music Publishing #1069726. Published by Musik Fabrik Music Publishing (A0.1493036). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95 ≈
$25.47
Trois pièces : Andante, Sérénade et Chant Serbe
Trois pièces : Andante, Sérénade et Chant Serbe
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Paul Wehage
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Trois pièces : Andante,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.1493037 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Per...
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Alto Saxophone,Piano - Level 4 - SKU: A0.1493037 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 36 pages. Musik Fabrik Music Publishing #1069727. Published by Musik Fabrik Music Publishing (A0.1493037). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95 ≈
$25.47
Rock of Ages with Hiding in Thee
Rock of Ages with Hiding in Thee
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Musique Sacrée
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Stephen R Dalrymple
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Rock of Ages with Hiding in Th
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Stephen R Dalrymple
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SheetMusicPlus
Small Ensemble Flute,Piano - Level 3 - SKU: A0.818333 By Stephen R Dalrymple. By Thomas Hastings, Augustus M Toplady, Ira D Sankey, William O Cushing. A...
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Small Ensemble Flute,Piano - Level 3 - SKU: A0.818333 By Stephen R Dalrymple. By Thomas Hastings, Augustus M Toplady, Ira D Sankey, William O Cushing. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Score and part. 51 pages. Stephen R Dalrymple #6091833. Published by Stephen R Dalrymple (A0.818333). Rock of Ages hymn arrangement for flute and piano by Stephen R Dalrymple transcribed for solo clarinet, trumpet, euphonium/trombone, violin, and cello   Rock of Ages (text by Augustus M Toplady 1776, tune by Thomas Hastings 1830) Hiding in Thee (text by William O Cushing 1876, tune by Ira D. Sankey 1877)   To describe might, power, security, protection – the images we think of are exploding bombs, a nuclear arsenal, security systems. None of these existed in the ancient world. The image of a rock, its density, its hardness, its inability to be shaken, actually, that is a universal metaphor. And so we find it often in the Bible.   Moses struck the rock to produce water. Paul tells us that rock was Christ. [Ex 17, 1 Cor 10] Moses was hidden in the cleft of a rock to watch the presence and glory of God pass by. [Ex 33] David often alluded to the rock as a fortress in the Psalms. [Ps 18] And the picture of Christ as the cornerstone is another favorite theme. [Mt 21, I Pt 2] Several of our hymns use (and mix) these metaphors to speak of the Rock, a place of refuge, a place of safety, a place of redemption.   Suitable for preludes, offertories, concerts, personal meditation.   Includes pdf of 14 score choices ♫ Full Score for flute and piano letter size ♫ Flute, Oboe, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello solo parts, ♫ Full Score for flute and small page format for performing from a 10 inch tablet and ♫ the same solo parts for 10 inch tablet. tablet (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)
$4.50 ≈
$6.05
Vecsey Valse Triste for violin and piano
Vecsey Valse Triste for violin and piano
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Franz von Vecsey
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Paul Wood
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Vecsey Valse Triste for violin
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MyMusicScores.com
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1238659 Composed by Franz von Vecsey. Arranged by Paul Wood. Romantic Period. 7 pages. MyMusicScores.com #834097. Publi...
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Piano,Violin - Level 3 - SKU: A0.1238659 Composed by Franz von Vecsey. Arranged by Paul Wood. Romantic Period. 7 pages. MyMusicScores.com #834097. Published by MyMusicScores.com (A0.1238659). Programme NotesBorn in Budapest, Franz de Vecsey showed an extraordinary talent for the violin from a young age. His musical journey began under the guidance of his father, Lajos Vecsey, but it was his subsequent studies with renowned violinist Jenő Hubay that truly shaped his virtuosity. At the tender age of 10, he impressed none other than Joseph Joachim with his exceptional skills, solidifying his status as a child prodigy.However, in the 1930s, tragedy struck. Just as Vecsey was poised to fulfill his dreams, he fell gravely ill with a pulmonary embolism, a condition that plagued him throughout his life. Seeking medical treatment, he traveled to Rome, where he underwent surgery in the hope of a recovery. Unfortunately, the operation proved unsuccessful, and at the tragically young age of 42, Franz de Vecsey succumbed to his illness.His piece, Valse Triste in C minor, composed in 1913 and dedicated to Princesse Elena Lante della Rovere, serves as a poignant reminder of Vecsey's musical genius. Through its haunting melodies and evocative harmonies, the composition encapsulates the depth of his emotions and the profound beauty of his art. Though his life was cut tragically short, Franz de Vecsey's legacy lives on.
$4.99 ≈
$6.71
Forever And Ever, Amen
Forever And Ever, Amen
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Trio à Cordes: 2 violons, violoncelle
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INTERMÉDIAIRE
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Randy Travis
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Sarah Cellobat Chaffee
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Forever And Ever, Amen
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Trio Cello,Violin - Level 3 - SKU: A0.526272 By Randy Travis. By Don Schlitz and Paul Overstreet. Arranged by Sarah Cellobat Chaffee. Country,Pop...
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String Trio Cello,Violin - Level 3 - SKU: A0.526272 By Randy Travis. By Don Schlitz and Paul Overstreet. Arranged by Sarah Cellobat Chaffee. Country,Pop,Wedding. 13 pages. Sarah Cellobat Chaffee #6328055. Published by Sarah Cellobat Chaffee (A0.526272). *INSTRUMENTATION: 2 VIOLINS & CELLO*Forever And Ever, Amen was released as a single by Randy Travis in 1987; it subsequently reached #1 on the Billboard Hot Country Singles charts and won a Grammy for Best Country & Western Song. And with its fun laid-back groove, catchy melody, and sweet lovestruck lyrics, this song is the perfect country love song to have in your gig books! Originally written for a wedding, this chart for your two-violin and cello trio will also be perfect for ceremonies, receptions, cocktails, parties, or any other occasion where you need to get your audience feeling a little sentimental (in a fun way). Maintaining the danceable country beat and fun layered harmonies of the original, this arrangement is sure to get your audience singing along! Rated intermediate, this will be learnable for students and sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$14.99 ≈
$20.15
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
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Ensemble de Tubas
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INTERMÉDIAIRE
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Jazz
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Glenn Miller
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Keith Terrett
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Moonlight Serenade for Tuba Qu
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Music for all Occasions
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SheetMusicPlus
Tuba, Euphonium, Tuba Quintet - Intermediate - Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set ...
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Tuba, Euphonium, Tuba Quintet - Intermediate - Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Moonlight Serenade" arranged here for Tuba Quintet, is an American popular song composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when first released in May 1939 as an instrumental arrangement and was adopted as Miller?s signature tune. In 1991, Miller?s recording of "Moonlight Serenade" was inducted into the Grammy Hall of Fame.
The song, recorded on April 4, 1939 on RCA Bluebird, was a Top Ten hit on the U.S. pop charts in 1939, reaching number three on the Billboard charts, where it stayed for fifteen weeks. It was the number 5 top pop hit of 1939 in the Billboard year-end tally. Glenn Miller had five records in the top 20 songs of 1939 on Billboard′s list.
In the UK, "Moonlight Serenade" was released as the A-side of a 78 on His Master?s Voice, with "American Patrol" as the B-side. The recording reached number twelve in the UK in March 1954, staying on the chart for one week. In a medley with "Little Brown Jug" and "In the Mood", "Moonlight Serenade" reached number thirteen on the UK charts in January 1976, in a chart run of eight weeks.
The recording was also issued as a V-Disc, No. 39A, in November 1943.
The recording used a clarinet-led saxophone section, which is widely considered[citation needed] the classic Glenn Miller style. Miller studied the Schillinger technique with Joseph Schillinger, who is credited with helping Miller create the "Miller sound", and under whose tutelage he himself composed "Moonlight Serenade".
The song evolved from a 1935 version entitled "Now I Lay Me Down to Weep", with music by Glenn Miller and lyrics by Eddie Heyman to a version called "Gone with the Dawn" with lyrics by George Simon, and "The Wind in the Trees" with lyrics by Mitchell Parish. In his biography of Glenn Miller, George T. Simon recounted how vocalist Al Bowlly of the Ray Noble Orchestra sang him the Eddie Heyman lyrics to the Glenn Miller music of "Now I Lay Me Down to Weep" in 1935. The Noble Orchestra never recorded the song. Finally it ended up as "Moonlight Serenade" because Robbins Music bought the music and learned that Miller was recording a cover of "Sunrise Serenade", a Frankie Carle associated song, for RCA Victor. They thought "Moonlight" would be a natural association for "Sunrise".
"Now I Lay Me Down to Weep" was composed in 1935 with lyrics by Eddie Heyman and music by Glenn Miller. After "Moonlight Serenade", originally released solely as an instrumental, became a smash hit in 1939, Mitchell Parish wrote new lyrics for the music under that title.
A notable vocal version can be found on Frank Sinatra?s Moonlight Sinatra released in 1965, which also contains "Moon Love", "Moonlight Becomes You", and "Oh, You Crazy Moon", which were recorded by Glenn Miller and his Orchestra. "Moonlight Serenade" can also be found on Nothing But the Best, a 2008 Frank Sinatra greatest hits compilation by Reprise, on My Way: The Best of Frank Sinatra from 1997 by Warner Bros., and the Frank Sinatra compilation Greatest Love Songs from 2002. Frank Sinatra also released the song as part of an 7" EP 33RPM single in 1966, Reprise SR1018. The song also appeared on the 2015 centennial collection Ultimate Sinatra. In 1939, Count Basie and His Orchestra recorded one of the earliest versions to feature the lyrics added by Mitchell Parish which was released as a 78 single, Vocalion 5036.
"Moonlight Serenade" has been covered by Barry Manilow, Carly Simon, The Airmen of Note of the U.S. Air Force with Air Force Strings, Charlie Haden, Marc Reift, Chet Baker with The Mariachi Brass in 1966, Santo and Johnny, Thelma Houston, Carol Burnett, Toots Thielemans, Deodato, who reached number 18 on the Billboard Easy Listening Chart, Count Basie and his Orchestra with vocals by Helen Humes in 1939, Benny Goodman and his Orchestra, Cab Calloway, The Modernaires, Gene Krupa and his Orchestra, Freddy Martin and his Orchestra, Bert Kaempfert, Ray Conniff, Mina, Dick Todd on RCA Bluebird, Geoff Love and His Orchestra, Lloyd Gregory on solo guitar, Dick Hyman, Maxwell Davis and his Orchestra, Tony Evans, Los Indios Tabajaras, David Rose, Richard Himber, Fi Dells Quartet, Waikikis, The Universal-International Orchestra conducted by Joseph Gershenson, Oleg Lundstrom, Charlie Byrd, Taco, Alix Combelle, Richard Vaughn, Lisa Ono, Eddie Maynard, Simone Kopmajer, Hamburg Philharmonia, Frankie Capp, Dave, Robert Banks Trio, Karel Vlach, Transatlantic Swing Band, the Frankie Condon Orchestra, The Romantic Strings, Paul Mauriat, Tommy Leonetti, Johnny Desmond, the Boston Pops under Arthur Fiedler, John Williams, and Keith Lockhart, Charlie Calello Orchestra, J.P. Torres and the Cuban All Stars, Tex Beneke and His Orchestra, the Manhattan Jazz Orchestra, Urbie Green, Bob Mintzer, Laura Fygi, Max Greger, Mario Pezzotta and His Orchestra, 101 Strings, Andrs Ramiro and His Orchestra, The Hiltonaires, Big Warsaw Band, Pep Poblet, Ray Anthony, Cheryl Bentyne, jazz trumpeter Bobby Hackett in 1965, The 12 Cellists of the Berlin Philharmonic, Joe Loss, Ted Heath, Lawrence Welk, Henry Mancini, James Last, Michael Maxwell and His Orchestra, John Blair, Ray Eberle, Enoch Light, Modern Folk Quartet, Buddy Emmons on steel guitar, The Rivieras, a 1950s Doo Wop group whose recording reached number 47 on the pop charts in 1959, Tuxedo Junction, Yasuko Agawa, George Melachrino, German bandleader Kurt Edelhagen, Ella Fitzgerald, Oscar Rabin, Henry Jerome and his Orchestra as a 45 single, Decca 25545, Kurt Elling, Syd Lawrence, The Ventures, Archie Bleyer, Mantovani, Bobby Vinton, who reached number 97 on the Billboard Hot 100 in 1976, and the rock band Chicago as a 1995 3 inch CD single in Japan and on the big band album Night & Day Big Band.
Jazz critic Gary Giddins wrote about the song?s impact and legacy; "Miller exuded little warmth on or off the bandstand, but once the band struck up its theme, audiences were done for: throats clutched, eyes softened. Can any other record match ?Moonlight Serenade? for its ability to induce a Pavlovian slobber in so many for so long?" (The New Yorker, May 24, 2004).
"Moonlight Serenade" released as V-Disc 39A, VP 75, Theme Song, by the U.S. War Department in November 1943. In November 1939, Miller had a 15-minute radio series on CBS called Moonlight Serenade that ran three times a week, Tuesdays, Wednesdays, and Thursdays at 10:00 PM Eastern Time (shifting to 7:15 PM in May 1942), until September 1942, sponsored by Chesterfield.
Wartime release:
The 1939 RCA Victor studio recording of "Moonlight Serenade" was released by the U.S. War Department as V-Disc 39A, VP 75, Theme Song, in November, 1943. The recording was also released on the Navy V-Disc No. 160A. A V-Disc test pressing of a recording of the song from November 17, 1945 by the AAF Band was made but the disc was not issued. A new recording by Glenn Miller with the American Band of the Allied Expeditionary Forces was broadcast to Germany in 1944 on the radio program The Wehrmacht Hour.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$12.99 ≈
$17.46
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Paul Struck
